1986年毕业于四川美术学院绘画系。现为四川大学艺术学院绘画系主任、教授、中国画硕士研究生导师，四川省美术家协会中国画艺术委员会委员、花鸟画专委会副会长，中国美术家协会会员。其美术作品几十件次参加全国、全省、海外的美术作品展览并获奖，多件作品被中国美术馆和国外画廊收藏。

孙林的作品表现人与自然的和谐，具有很强的个人特色。前期的工笔花鸟画作品，位置考究，用笔精巧，傅色雅丽，情趣浓郁，诗意盎然。如《清清的小河》等。近十年来他踏遍了巴山蜀水，把对生活和生命的感悟、对自然和环境的亲和融化在自己的艺术创作之中。经过对中国画笔墨、形象、图式、意境的反复琢磨和提炼，画面充满生命律动，极富视觉冲击力，创建了一种既不失传统文脉又具视觉张力的花鸟画新图式，在中国花鸟画领域内迈出了踏踏实实的一大步，取得了令人瞩目的成绩。如《春之声》、《蜀乡三月》等。这批作品以水墨为表现介质，以森林中的树木、藤萝、花叶、山石等为背景，以禽鸟为画眼，尺幅巨大，构成满密、层叠而考究，境界幽深静谧，韵致飘然，野逸出尘。

•Professor; Master Tutor

•Director of the Department of Painting of the Arts College of Sichuan University

•Graduated from the Department of Painting of the Sichuan Fine Art Institute in 1986

•Member of the Arts of Sichuan Province China Painting Artists Association Committee

•Vice President of the Flower and Bird Painting Special Committee

•Member of the China Artists Association

•Received many awards at different art exhibitions all over the world

•Many works have been collected by art museums and galleries both in China and abroad

Sun Lin’s work embodies the harmony between humans and nature, as well as emits strong personal characteristics. Early works of flowers and birds in meticulous style, such as “Small Clear River,” focus on careful choice of position, exquisite use of brush strokes and color, and the full expression of excitement and poetry. For the past 10 years, he has visited many natural landscapes, thus enabling him to integrate the perception of life and kindness towards the natural environment with his own creations of art. Having repeatedly pondered over and refined pen and ink, image, diagram, and sight, his artworks are now full of vigorous rhythm and visual impact. He creates a new motif of painting of flowers and birds, incorporating traditional context and visual tension. This means great progress in the circle of paintings of flowers and birds in China, such as “The Sound of Spring and March in a Village in Sichuan.” This set of Chinese ink paintings adopts the perspectives of the subject, the birds, to view the trees, vines, leaves, and rocks in the background. These shapes are densely stacked with brushstrokes and huge in size, yet produce a tranquil feeling, far from chaos.