2000 毕业于四川美术学院油画系
2000 任教于四川大学艺术学院
现工作生活于成都
个展
2013 自然的界限-枯山，Wada Fine Art Gallery ，东京，日本
2012 自然的界限，J.CHEN画廊，台北
2011 自然的界限，第二回展，北京现在画廊，北京
2010 自然的界限，北京现在画廊，北京
2008 昆虫记，北京现在画廊，北京
2007 红，Avanthay Contemporary/Arndt & Partner，苏黎世，瑞士
2006 理想，北京现在画廊，北京
2006 理想，La Bertesca — Masnata Gallery，意大利

首先我觉得盆景是中国传统美学的一个结晶，一个缩影，表面看来是对自然的扭曲，像龚自珍的《病梅馆记》就是从“自然的扭曲”的角度入手来写的，但是他这篇文章不是从形而上的角度，也不是从美学的角度，而是从社会学的，象征的角度出发的，所以他看出了一种病态，当然是从他的角度，他也是对的。但是我觉得盆景本身真正的精髓恰恰不是这种东西，它绝不是为了扭曲而扭曲的病态，他是通过扭曲和修饰等形式去达到或接近一种最高存在，它展示的人和自然的最高融合，是经过选择、修饰的，关于“理想美”这个形而上的概念的现实呈现。

•Graduated from the Department of Oil Painting of the Sichuan Fine Art Institute in 2000

•Teaching at the Arts College of Sichuan University from 2000

Exhibition:

2013, The Boundaries of Nature-Dry Mountain, Wada Fine Art Gallery, Tokyo, Japan,

2012, The Boundaries of Nature, J. Chen Gallery, Taipei

2011, The Boundaries of Nature, second exhibition, Beijing Art Now Gallery, Beijing

2010, The Boundaries of Nature, Beijing Art Now Gallery, Beijing

2008, Insects, Beijing Art Now Gallery, Beijing

2007, Red, Avanthay Contemporary/Arndt & Partner, Zurich, Switzerland

2006, Aspiration, Beijing, Now Painting Gallery, Beijing

2006, Aspiration, La Bertesca – Masnata Ideal Gallery, Italy

Primarily, I regard potted landscape as a miniature, a sort of catalyst of Chinese traditional aesthetics. Potted landscape seems to entail a skewed way of presenting nature in a superficial aspect, just as Gong Zizhen wrote in Bing Mei Guan Ji about this particular “skewed nature” perspective. Rather than starting from metaphysical or aesthetic dimensions, his article is based on sociology and symbolism, leading to his conclusion of this symbolic sort of sickness. However, I believe the essence of potted landscape does not bear this meaning. It is definitely not for the contortionists to distort and misshape. Potted landscape pursues a kind of high existence in a specifically twisted and rhetorical way. It realizes harmony between the human and the natural through a special amalgamation, that is, by choosing and decorating according to the concept of ideal aesthetics.