作者简介
四川大学艺术学院教授、教授委员会主任,文学硕士、中国美术家协会会员、中国画学会理事、享受国务院特殊津贴专家、四川省学术与技术带头人。
作品多次获得重要奖项。其中,代表作《野山》获第七届全国美展铜奖,《红岭》获第八届全国美展优秀作品展奖,及该展最高奖项“日中友好会馆”大奖。《秋》获96`中日现代水墨画交流展金奖。作品还入选百年中国画展。大量作品由重要美术刊物发表及专栏介绍,并编入《中国美术全集》。由英国大英博物馆等机构收藏。
创作自叙
在《秋之隅》、《林影》、《老桥》、等作品中,能感受到那种强烈的视觉印象。画面几乎找不到大块的空白空间,整个画面被山石、树木所占据,那些幽谷流泉、石桥老屋、古树凉亭若隐若现,成为视觉阅读的亮点。这些作品都以平面性的结构方式展开,其单纯的色彩因素暗示出自然节候变化丰富的内涵。或绿色万点以示春意,或红色满山以示热烈,或深蓝遍野以示炎夏,或黄绿相间以示淡秋,让人深思与遐想。作品对山水形象作了模糊性处理,山即树,树即山,使之浑然一体。那种丰富与化一,苍厚与朦胧,深幽与干烈,满密与纯粹,打造着一种交响曲般的灿烂。近看点线交织乱中求序,远观整体强烈结构联密气象万千,由此成为视觉审视和画语阅读的焦点。
Bio
•Professor of the Arts College of Sichuan University.
•Director of the Professor Committee
•Master of arts
•Member of the China Artists Association
•Master of the Chinese Artists Association
•Director of the Chinese Painting Committee
•Expert who receives government subsidies from the State Council
•The Academic and Technical Leaders in Sichuan Province
•Received many awards at different art exhibitions; many works are at the British Museum and other organizations
Artist Statement
His series of works, such as “Old Bridge” and “Forest Shadow,” create a strong visual impression. There is hardly any significant blank space; instead, the whole picture is filled with dotted rocks and trees. In addition, the valley with springs, the stone bridge with old houses, and the pavilion with old trees, which are shown in a partly hidden and partly visible way, become the charming point of the viewer’s scan. All of these works are depicted in a two-dimensional way. The single factor of pure color suggests the rich meaning of seasonal change. For instance, the use of blue shows the coming of spring, red suggests the feeling of heat, deep blue indicates the hot summer, and yellow and blue announce the fall. The works adopt a blurry expressive method, which means mountains resemble trees and all things blend into one harmonious whole. On closer inspection, points are entwined with lines, keeping a neat order in chaos. From afar, the whole structure connects tightly. Therefore, every element can become the focal point of the viewer’s visual scan and picture reading.