教授
中国美术家协会会员
四川省美术家协会理事
四川省美协山水画会副会长

如果说传统中国画已形成一套成熟的章法结构的话，七丁的新作在此方面的突破是十分明显的。他开始打破其习惯的也是传统的以远、中、近明显三段分布而以中景为主的立轴式章法程式，或者以一景为主辅以它物，以疏简留白为主的斗方式小品结构，而出之以饱满的西方式焦点结构的新构图。他的画面，开始出现壮阔的大场景，前、中、远景被有意识地予以自然的过渡，熟悉的竖长构图被中国传统中并不多见的陌生的横式构图（但又不是“长卷”）所代替，焦点式结构的处理给他的绘画带来一种自然朴素的意味，而民族传统中“三远”式宏观观照的方法的有机纳入，又使其构图并没有落入西方式套路。这样，平易、朴实、满密、复杂的横长构图开始给七丁的绘画带来了新的意味。

•Professor
•Member of the Chinese Artists Association
•Member of the Sichuan Artists Association
•Vice President of the Sichuan Landscape Painting Association

Duan’s artworks break through the structural features of Chinese painting. The tradition of the vertical structure of a scroll in far-middle-near perspective brings focus on the middle, or emphasis on the white space within the square structure. Duan uses a new focus in his structural composition. His painting begins with a grand scene, then transits near-middle-far scenes naturally. The horizontal composition replaces traditional vertical composition. The combination of his focus, structure, and traditional far-middle-near perspective brings forth new meanings.